Wonderland is a holiday camp promising fun and relaxation for the whole family: organized sports and leisure activities abound, and there are multiple opportunities to socialize and make new friends. Hundreds of visitors descend on the camp each season, and that means the potential for hundreds of suspects if crimes should occur. And crimes – or at least unpleasant incidents – soon begin to happen. Some visitors are pulled underwater while bathing in the sea; tennis balls are covered in treacle; and under cover of night a pet dog is poisoned and dies. Camp managers Teddy and Mortimer Wise begin to wonder whether the escalating pranks might be leading up to a serious attack on a person, and the vacationing visitors’ response to the work of the self-proclaimed “Mad Hatter” soon moves from curiosity to unease as they wonder the same thing.
Enter private consultant Nigel Strangeways (fairly late in the game, in Chapter 10 of 18) to investigate. Malice in Wonderland, which has also been variously published as The Summer Camp Mystery (the U.S. title), Malice with Murder, and Murder with Malice, is to me an underrated entry in Cecil Day-Lewis’ enjoyable detective series. Strangeways isn’t the only one to put in a delayed appearance; there is a murder in this story, but it only appears near the novel’s climax, and killer and motive are soon identified. Instead, Malice’s pleasures lie not solely with the puzzle but with its agreeable setting, tone, and characters.
While Blake was prone to becoming overly psychological and heavy-handed with characterization in his final Strangeways stories, like The Worm of Death (1961) or The Morning after Death (1966), he serves up a winning cast here. The staff at Wonderland are nicely delineated, whether between the slightly past-his-prime athlete Teddy Wise and his stuffier, more bureaucratic brother Mortimer or in describing the latter’s assistant, a resourceful and attractive young woman named Esmeralda Jones. Front and center amongst the holiday-makers are James Thistlethwaite, a fussy professional tailor who fancies himself a keen observer of people and places (and who may be right), and his energetic daughter Sally.
Sally quickly strikes up an acquaintance with a reserved young man named Paul Perry, and it is their flirtatious, hot-and-cold relationship that is both endearing and authentic. Both of these romantic leads – so often an unwanted and unconvincing element in mystery fiction – are deftly drawn, and it is their contradictions of personality that Blake gets so perceptively right. The two are (like so many young people attracted to each other) alternately cynical and sincere, defensive yet vulnerable, often generous one moment, selfish the next. In Paul and Sally, the author lets the reader feel genuine pathos for the couple and their situation, especially as it appears that Paul is Harboring a Secret and may be more involved in the Mad Hatter madness than he will admit.
While Blake was prone to becoming overly psychological and heavy-handed with characterization in his final Strangeways stories, like The Worm of Death (1961) or The Morning after Death (1966), he serves up a winning cast here. The staff at Wonderland are nicely delineated, whether between the slightly past-his-prime athlete Teddy Wise and his stuffier, more bureaucratic brother Mortimer or in describing the latter’s assistant, a resourceful and attractive young woman named Esmeralda Jones. Front and center amongst the holiday-makers are James Thistlethwaite, a fussy professional tailor who fancies himself a keen observer of people and places (and who may be right), and his energetic daughter Sally.
Sally quickly strikes up an acquaintance with a reserved young man named Paul Perry, and it is their flirtatious, hot-and-cold relationship that is both endearing and authentic. Both of these romantic leads – so often an unwanted and unconvincing element in mystery fiction – are deftly drawn, and it is their contradictions of personality that Blake gets so perceptively right. The two are (like so many young people attracted to each other) alternately cynical and sincere, defensive yet vulnerable, often generous one moment, selfish the next. In Paul and Sally, the author lets the reader feel genuine pathos for the couple and their situation, especially as it appears that Paul is Harboring a Secret and may be more involved in the Mad Hatter madness than he will admit.
U.S. Title: The Summer Camp Mystery A tone that is often humorous with its details and dialogue, coupled with an intriguing outdoor setting that provides an idyll while a war rages around the world, adds to the book’s enjoyable qualities. And although we are largely focused on the “malice” of malevolent practical jokes instead of a murder investigation, Blake (through his anonymous anarchist) keeps the reader engaged with a busy run of incidents that often just evoke more questions: was a camper’s blistered fingers after a scavenger hunt a result of mustard gas or wild parsley? And if this was another Mad Hatter stunt, then does that incriminate the staff that had organized the search? What of the grudge-holding old hermit living on the outskirts of the camp? And is meek visitor Albert Morley really as bad a shot as he demonstrates at the shooting gallery? The question needs to be considered when a bullet nicks Teddy Wise’s ear as he stands on a balcony, and Albert emerges from the woods below.
For those wanting to take a lively holiday and experience the merry mischief vicariously, Malice in Wonderland is available in print and eBook editions from Agora Books. Les at Classic Mysteries and Margaret at BooksPlease have also posted reviews of this title.
For those wanting to take a lively holiday and experience the merry mischief vicariously, Malice in Wonderland is available in print and eBook editions from Agora Books. Les at Classic Mysteries and Margaret at BooksPlease have also posted reviews of this title.
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